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Yamaha O1V-96 v2

Yamaha's flagship digital mixing consoles are the accepted standards throughout the world: the awesome PM1D for sound reinforcement, broadcast, and theater; the DM2000, DM1000, and 02R96 for sound and music production. Now the 01V96 brings you the same performance and reliability in a smaller, more affordable format that's perfect for the home or smaller professional production studio. Still, it has a maximum 40-channel input capacity and can be cascaded for applications that require more. And, of course, 24-bit/96-kHz operation is standard. Mixer functions and effects are all inherited from the top-of-the-line DM2000, so you know you're getting the best. Prepare to be amazed at how far Yamaha digital evolution has come. If you thought that cutting-edge digital mixing and processing performance was still beyond reach, here is a very good reason to smile.

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 Mackie VLZ Series

And lest you think Mackie forgot about four-buss mixers, allow us to introduce you to the new and improved VLZ’s formally the SR Series. Great for live sound, these mixers are also suitable for anyone doing multitrack work. Churches, community centers, and budget-minded broadcasters will want to consider them.

The audio performance, log-taper faders, and high-end preamps are based on Mackie’s superb 8-Buss mixers. The 4x2x1 buss design is easy to master. Features include six balanced aux sends with masters, PFL/AFL, sophisticated EQ, LED’s on each channel for overload and signal present, 60dB of gain on the mic preamps, double bussed sub outs for 8-track recording, phantom power, balanced main outputs on both XLR and TRS plus a separate mono sum, balanced inputs (XLR and 1/4") on every channel, and an internal power supply. These boards weigh only 30-40 pounds.

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Mackie 8.Bus Series

What’s not to like about the 8-Bus? It’s a recording and PA board, available in 24, and 32 channels. Features include +48V phantom power, four-band EQ, six stereo assignable AUX returns, stereo solo, and talkback with mic. Double your inputs for mixdown with MIX-B. All channels have high headroom mic preamps.

Two headphone monitoring set-ups allow you to build custom mixes for the talent and the operator. All channels provide patching, direct out, tape returns, balanced mic inputs (XLR), and balanced line inputs (1/4"); the console has balanced XLR’s on the main L/R output. The power supply is rack mountable. Distortion, response, and gain specs are suitable for today’s digital sources. An optional tiltable meter bridge provides ladder LED’s for each input channel and VU meters for the main outputs. We can also provide pricing on metal stands and a  “side car” with rack space for power supplies, patch bays, and more.

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Allen & Heath Mix Wizard Series

Designed using the Allen & Heath 'Minimum Signal Path' philosophy and built to the same high standards as the GL series, the Mix Wizard is a fully professional console in a portable format. With its identical mic/line channels, novices and seasoned pros alike will feel comfortable using this mixer.  This series is available in 12, 14, and 16, channel options. If you are looking for a small mixer then check into one of the Mix Wizard Series.  We are sure you will be impressed!

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Allen & Heath GL2200 Series

The GL2200 is a professional live mixer incorporating the dual functionality (FOH/monitor desk) and transparent British sound quality to be expected only from much more expensive desks.  Also featured are four groups, six aux busses, 4-band EQ with sweepable mids, input metering, channel direct outs, and talkback making the GL2200 series a truly versatile mixer for live performances. Available in 12, 16, 24 or 32 channel frame sizes, including two full feature stereo channels and two additional stereo returns. Ask anyone who’s used an Allen & Heath mixer - the sound quality is superb!

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Allen & Heath GL3300 Series

The GL3300 is a dual function console, with the versatility to excel in a number of roles. It is a fully featured 8 group front-of-house console, a dedicated 10 mix monitor mixer, or a combination of both, allowing a single engineer to provide all mixing functions from one console. In addition, the GL3300 offers direct outputs and 2-track sends for live and project recording - the ultimate in flexibility.

With its versatile feature set and simple control layout, GL3300 is suited to a broad range of applications, including PA rental, band PA, corporate theatre and installation in houses of worship, theatres, clubs, conference facilities, casinos, schools, stadiums, rehearsal studios and more. This board is available in 16, 24, 32, and 40 channel frames.

UTILITY AMPLIFIER MIXER

Mackie 1202-VLZ Pro

Look no further than the affordable Mackie 1202-VLZ Pro mixer for all your mixing needs. This feature packed compact mixer includes 4 precision-engineered XDR premium studio grade mic preamps with a 0 -60dB gain range and a 130 dB dynamic range,

6 high-headroom line inputs, and a 3-band active EQ. This mixer offers excellent RF rejection with the advanced DC pulse transformer and mix-down is easy with the Control Room/ Phones multi-input source matrix.  Like its big brothers, the 1402 and the 1604, the Mackie 1202 is ruggedly constructed of steel, has sealed rotary controls and a built-in power supply. Whether you are using it for your main board or as an effects submixer, you’ll get lots of  “bang for your bucks” with this Mackie product!

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Mackie 1402-VLZ Pro         

The Mackie 1402-VLZ Pro mixer has the same legendary features as its predecessor, the MS 1402-VLZ, with even higher headroom and lower noise. Features include 6 new XDR (extended dynamic range) studio grade mic preamps, 8 high-headroom line inputs, 60mm long-wearing log-taper faders, and a 3-band active EQ. The Control Room/Phones source matrix makes mixdown routing a snap. Effects and cue mixes are handled by two auxiliary sends, one pre-fader and two post-fader. With the advanced DC pulse transformer, this mixer offers the best RF rejection of any mixer available. The rugged steel chassis has sealed rotary controls and a built-in power supply adding to its ease of operation. The versatility of this product makes it prefect for a wide range of applications, including live club performance, video post-production, home studio and multimedia.

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Mackie 1604-VLZ Pro

Could Mackie make a good mixer even better? You bet! Characteristics formerly found on high-end mic preamps can now be found on the innovative Mackie 1604-VLZ Pro mixer at an affordable price. Featuring 16 precision-engineered XDR premium studio grade mic preamps with an ultra-wide 0-60dB gain range and a 130dB dynamic range, this updated version of the CR-1604VLZ also includes 60mm long-wearing logarithmic-tape faders.  A 3-band active EQ with sweepable mid-range provides maximum control and flexibility. Inputs feature switchable phantom power for use with condenser microphones. Effects and cue mixes are handled nicely with six auxiliary sends per channel with a 15dB gain above unity.

The rugged steel main chassis has a built-in power supply and a rack mount kit included. Mackie product brochures are among the most informative in the business. Ask your AlfaThai professional to send you information on the Mackie board of your choice.

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Ashly Mixers

Ashly’s rackable audio mixers have a five-year warranty so you can install them with confidence in studios, remote vehicles, or meeting rooms. The MX-508 is an eight input, stereo output mixer, with low noise and distortion. Each input has XLR mic and 1/4" TRS line connections, level trim with clipping indicator, three-band EQ with sweepable mid, two aux sends, and channel patching. The mixer also has a stereo input on RCA jacks for a tape player or CD.Phantom power is available for the mic inputs. Ports include a stereo, +24dBm transformer balanced output on XLR’s, a balanced stereo output on 1/4" TRS, an independent mono output, a tape output on RCA jacks, and headphone. The master section has pre-master sub in/out patches, two aux sends and returns, and LED metering. For ease of service, this three-space mixer is modular from the rear. A AlfaThai Best Seller.

Also Available:

LX-308: An eight-channel line mixer with stereo, unbalanced, line level inputs and outputs.

Inputs 1 and 2 may be switched to accept mic level. One rack space high.  

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Rane SM-26B Splitter/Mixer

The SM-26B is unusual because it does so much. First, it’s a six-to-two, line level mixer, accepting six balanced or unbalanced line inputs which are applied to six Level and Pan controls. An added master stereo input brings the total inputs to eight. The mix is sent to left and right output jacks.

The unit is also a splitter: it can take one or two line level inputs, and split these to any of the six mono outputs on the rear. In this mode you can control the level from each input bus to each output.It is also a six in, six out buffer amp, and a -10 to +4 shifter. The SM-26B may also be used in a combination of modes. One example: inputs 1 through 3 are mixed to the left and/or right output busses, while outputs 4 and 5 are delivering signal originally applied to the left and right master inputs, and output 6 is driven from input 6 straight through. All ins and outs are 1/4" TRS active balanced. Sorry, it won’t do windows.

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ATI Nanoamp Mic/Line Mixer

With Nanoamp mixers, you can configure your setup as it suits you. The MX100 is a three-input mic/line mixer, while its companion XP100 is a four-input expander. Inputs and outputs are XLR. The expander comes with DC and audio connection cables.

Features include independent level sets, master gain, adjustable headphone output, phantom mic power, balanced inputs, and metered output for balanced or unbalanced lines.

Order the AC/DC wall supply separately. An optional external battery pack runs an MX100 for three hours. Install Nanoamps in a rack with optional hardware, up to three across; various rack and desk mount kits are available.

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Samson MDR Series Mixers

The Samson MDR 8 is an eight channel professional stereo mixer with built-in 24-bit DSP. It can handle up to either eight line ins, four mics and two stereo line ins or six mics all with high quality mic preamps.

Audio-Technica MX351 Smartmixer

The AT-MX351 Smartmixer from Audio Technica delivers 5 channels of auto-switching performance. Complete with automatic threshold adjustments as well as a single AUX IN to accommodate tape or other line inputs, the Smartmixer features individually switched 48V phantom power as well as selectable limiting to prevent overloads. Other features included are: balanced inputs and outputs, pre or post controller outputs from mic/line channels, D-sub connector for TTL output, closure control input, NOMA operation, manual override, priority pre-select switch and headphone output.

Rane Mic/Line Mixer

The new Rane MLM 103 Mic/Line mixer features six balanced, studio-grade microphone inputs and two balanced, stereo line-level inputs. The microphone preamplifiers feature direct outputs. These can monitor the signal 'pre' or 'post' the mix Level control via rear panel switches. Each microphone and stereo line input features three-band EQ and mix level controls. Input overload indicators are peak detecting and illuminate 4 dB before clipping. Three balanced outputs are provided. A and B outputs may be used as a stereo pair in a single zone or as two independent mono zones. The AUX output is mono. All connections are via Euroblock connectors. The MLM 103 features an internal high efficiency, universal voltage power supply.

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